ANNA FRAPPAMPINA

Frappampina's artistic works, marked both by a scientific rigour and a wise careful technicality, run backwards through a wonderful history deriving from Egyptology and a pharaonic charm for a time gone by, as well. The study connected with Egypt, Pharaohs, small and big significance of hieroglyphs and postures describing Egyptian culture, has repeatedly been appanage of historians and Catholics, with real exceptions in different fields; the Egyptian race allowed to extrapolate an endemic cultural preciousness that the artist translates in a gold leaf skilfully elaborated, similarly to a fresco on a vegetal tissue,Frappampina's artistic works, marked both by a scientific rigour and a wise careful technicality, run backwards through a wonderful history deriving from Egyptology and a pharaonic charm for a time gone by, as well. The study connected with Egypt, Pharaohs, small and big significance of hieroglyphs and postures describing Egyptian culture, has repeatedly been appanage of historians and Catholics, with real exceptions in different fields; the Egyptian race allowed to extrapolate an endemic cultural preciousness that the artist translates in a gold leaf skilfully elaborated, similarly to a fresco on a vegetal tissue, otherwise in precious extempore reproductions. Obviously the search for a context comprehending without phagocyting the dominant subject of a painting, symbolises a personal need for this Italian artist.

Anna Frappampina: Via Adige, 30 Lecce (Italy)